Votes taken by Moka_Lady

view post Posted: 26/6/2013, 17:26     +2Noland, il pitbull orfano adottato dalla gatta Lurlene - Animals

Puppy love!
Cat nurses one-week-old Pitbull


VIDEO

Lurlene the cat welcomed Noland the puppy
to her 'unusual little family' after he was orphaned.



jpg

jpg







Edited by Milea - 27/6/2013, 20:48
view post Posted: 26/6/2013, 16:40     +1British Museum: l'arte erotica giapponese degli Shunga vietata ai minori - NEWS




Kinoe no komatsu 喜能会之故真通


Woodblock print, shunga. Woman being violated by an octopus. With inscription.
Opening from the illustrated book 'Kinoe no komatsu'.


AN00583055_001_l
Recto

AN00234034_001_l
Front

view post Posted: 24/6/2013, 19:14     +1Edna St.Vincent Millay: la poetessa dell’Età del Jazz - Pensieri e poesie

I Shall Forget You Presently, My Dear



I shall forget you presently, my dear,
So make the most of this, your little day,
Your little month, your little half a year,
Ere I forget, or die, or move away,
And we are done forever; by and by
I shall forget you, as I said, but now,
If you entreat me with your loveliest lie
I will protest you with my favorite vow.
I would indeed that love were longer-lived,
And oaths were not so brittle as they are,
But so it is, and nature has contrived
To struggle on without a break thus far,—
Whether or not we find what we are seeking
Is idle, biologically speaking.







Tra breve io ti scorderò mio caro,
perciò assapora il tuo piccolo giorno,
mese o semestre e godi quanto puoi;
sia che ti scordi, o ti lasci, od io muoia,
tra di noi finirà; col tempo, dico, ti
dimenticherò, comunque ora, se
m’incanti con splendide menzogne, ti
assicuro la mia migliore promessa.
Anch’io vorrei che gli amici durassero e
non fossero inezie i giuramenti, ma tant’è,
la Natura si è ingegnata fin qui di
perpetuarsi senza sosta a che noi troviamo
quel che cerchiamo è
biologicamente irrilevante.




view post Posted: 22/6/2013, 13:57     +2Flying animals - Animals



Il gufo mimetico. Palude Okefenokee, Georgia, USA
Fonte






view post Posted: 21/6/2013, 09:10     +1Creedmoor State Hospital, viaggio nell'ospedale psichiatrico abbandonato - NEWS

Inside Creedmoor State Hospital’s Building 25



7303845920_5f9b92c87b_b




In Queens Village, mere inches of brick and mortar separate the world we know from one of the strangest places in the city. Creedmoor Psychiatric Center’s Building 25 has undergone something of a transformation over its 40 years of neglect, but it couldn’t have done it alone. Once a haven for New York’s cast-out mentally ill, the long-abandoned ward is very much inhabited today…

Creedmoor

Creedmoor was founded in 1912 as the Farm Colony of Brooklyn State Hospital, one of hundreds of similar psychiatric wards established at the turn of the century to house and rehabilitate those who were ill equipped to function on their own. Rejected by mainstream society, hundreds of thousands of mentally disturbed individuals, many afflicted with psychosis and schizophrenia, were transferred from urban centers across the country to outlying pastoral areas where fresh air, closeness to nature, and the healing power of work was thought to be their best bet for rehabilitation.

As the 20th century progressed, asylums across the country became overrun with patients, and many institutions became desperately understaffed and dangerously underfunded. Living conditions at some psychiatric wards grew dire-patient abuse and neglect was not uncommon. Creedmoor State Hospital was habitually under scrutiny during this period, beginning in the 1940s with an outbreak of dysentery that resulted from unsanitary living conditions in the wards.

The hospital had spiraled completely out of control by 1974 when the state ordered an inquiry into an outbreak of crime on the Creedmoor campus. Within 20 months, three rapes were reported, 22 assaults, 52 fires, 130 burglaries, six instances of suicide, a shooting, a riot, and an attempted murder, prompting an investigation into all downstate mental hospitals. As late as 1984, the violent ward of Creedmoor Psychiatric Center was rocked with scandal following the death of a patient, who had been struck in the throat by a staff member while restrained in a straitjacket.

In the late 20th Century, the development of antipsychotic medications and new standards of treatment for the mentally ill accelerated a trend toward deinstitutionalization. A series of dramatic budget cuts and dwindling patient populations led to the closing of farm colonies across the United States, and a marked decline at Creedmoor. The campus continues to operate today, housing only a few hundred patients and providing outpatient services, leaving its turbulent past behind. Many of the buildings have been sold off to new tenants. Others, like Building 25, lie fallow.

The building was an active ward until some time in the 1970s, and retains many mementos from its days as a residence and treatment center for the mentally ill. With peeling paint, dusty furniture, and dark corridors, the lower floors are typical of a long-abandoned hospital, but upstairs, the effect of time has taken a grotesque turn.

The smell alone is enough to drive anyone to the verge of madness, but the visual is even more appalling. For 40 years, generations of pigeons have defecated on the fourth floor of Building 25, far removed from their dim-witted dealings with the human world, assembling a monument all their own. Guano accumulates in grey mounds under popular roosts, with the tallest columns reaching several feet in height. Like the myriad formations of a cavern, Buiding 25’s guano stalagmites are a work in progress-pigeons roost at every turn, and they’re awfully dubious of outsiders. Violent outbursts of flight punctuate an otherworldly soundscape of low, rumbling coos. The filth acts as an acoustic insulator, making every movement impossibly close.

Two levels down and a world away from the top floor, a kitchen is filled with years’ worth of garbage intersected by narrow pathways. A living room, kept relatively tidy, features a sitting area with an array of chairs, including a homemade toilet. Loosely organized objects litter every surface-toiletries, clothing, hundreds of dead D batteries. Some of the belongings looked as if they hadn’t been touched for decades, but a newspaper dated to only a few weeks before confirmed my suspicion that someone was still living here.

I found him snoozing peacefully in a light-filled dayroom, surrounded by a series of patient murals. Once painted over, images of faraway lands, country gardens, and the Holy Mother are coming to light again as time peels back the layers. The image was surprising, unforgettably human, and imprudent to photograph. Declining to introduce myself, I passed once more through the dark, decaying halls of Building 25, leaving its charms, horrors, and mysteries for the birds. Back on solid ground, its impression wouldn’t fade for months-Building 25 has a way of recurring in dreams…



abandonednyc-creedmoor-6840
The first glimpse of Building 25′s fourth floor from the central stairwell. That’s not gravel.


abandonednyc-creedmoor-6853
These dropping formations formed under the pipes of a sprinkler system the birds frequented.


7305675224_995c664586_b
Overgrowth covered most of the windows, casting green light over much of the interior.


abandonednyc-creedmoor-6686
Furniture stacked in a cafeteria on Building 25′s third floor.



abandonednyc-creedmoor-6771
These chairs are popular with urban explorers, one went as far as covering the upholstery with fake blood


abandonednyc-creedmoor-6724
Metallic sheets are bolted to this bathroom wall in lieu of mirrors, which patients could use as a weapon



abandonednyc-creedmoor-6759
A tiny toy collection arranged on a windowsill.



7301431588_89d3dfcdcf_b
Even in the 70s, this equipment was outdated, and left behind.



7305068662_8eaa12acaf_b
Did this mural prophesy the current condition of the top floor?



abandonednyc-creedmoor-6834
An uninviting hallway on Creedmoor’s fourth floor.



abandonednyc-creedmoor-6792
Satan’s sandbox.



abandonednyc-creedmoor-6776
This bathroom held the largest volume of fecal matter.



7305072666_bc8940ab4f_b
And I thought gas station toilets were filthy.



7303830850_2f74bf0084_b
The guano gives some rooms the look of an indoor desert.



7301425382_415cdc8f91_b
Anyone for musical chairs?



abandonednyc-creedmoor-6844
An incongruous Virgin emerges from an infested day room.



7303855956_93bc975d54_b
A glimpse at the Creedmoor squat. Source





Edited by Milea - 21/6/2013, 10:17
view post Posted: 19/6/2013, 21:56     +1It's not a tiger or a lion... it's a liliger! - Animals

It's not a tiger or a lion... it's a liliger!



Mother gives birth to three adorable rare cubs which will grow to be among the largest cats in the world. If at first you don't succeed, li, li again! Zoo which already boasts a half-tiger, half-lion liger welcomes three liliger cubs


article-2344461-1A67DA78000005DC-100_636x424


They may look familiar but these big cats are extremely unique and rare.
This big cat mother recently gave birth to three adorable liliger cubs at a zoo in Novosibirsk, Russia. Although the mother and her cubs look like tigers, she is in fact a lion-tiger hy-brid known as a liger - the biggest known cat in the world.

VIDEO



The first was born in the zoo last year and now there's a second litter of three, all of them females. They were born in May and now have grown up enough to start exploring their surroundings, showing an endearing clumsy energy. Their mother, Zita, was born in the zoo in 2004. Their father, Sam, is an African lion. The offspring of a lion and liger is called a liliger.
The liger is the largest known cat in the world and holds similar characteristics to both lions and tigers. Just like tigers, they enjoy swimming and are very sociable like lions.
They exist only in captivity because the habitats of tigers and lions do not cross in the wild.
Ligers are known for growing bigger than either parental species.


article-2344461-1A655308000005DC-191_634x496

article-2344461-1A654F62000005DC-119_634x509

article-2344461-1A655058000005DC-36_634x455

article-2344461-1A654DBE000005DC-391_634x466

article-2344461-1A654D21000005DC-479_634x468

article-2344461-1A655128000005DC-577_634x499

article-2344461-1A6553D7000005DC-12_634x448
Source





Edited by Milea - 19/6/2013, 22:58
view post Posted: 16/6/2013, 12:01     +2Sea Creatures - Animals



Stingray Sandbar, Grand Cayman
Source







Edited by Milea - 16/6/2013, 13:03
view post Posted: 15/6/2013, 18:37     +2Léal Souvenir (Tymotheos - Portrait of a Man) - Van EycK


jan_van_eyck-leal-souvenirD

Léal Souvenir (Tymotheos - Portrait of a Man) detail




It is perhaps no accident that Jan van Eyck's earliest surviving portrait carries a date (10th October 1432), for temporality constitutes an important aspect of this work in other ways too. Traces of the passage of time - in the form of cracks, chipped-off or broken pieces of stone and "sgraffito"-like scratchmarks - are visible on a relatively broad, trompe-l'oeil parapet which serves as a repoussoir and suggests a frame, pushing the sitter back - though not very far - from the picture-plane. Even hard, apparently permanent materials do not last - what hope then for the human counterfeited here! An inscription, not unlike an epitaph, and yet evidently referring to a living person, is chiselled on the parapet: LEAL SOUVENIR, "loyal remembrance". The words anticipate that rapid process of change which the sitter, portrayed here on a certain day, will soon experience in his own life.

The portrait resembles a record of something which is subject to continual change, and which the painter, or sitter, wishes to commit to memory, or preserve. It is as though images had magical powers, as if appearances could replace reality, or, indeed, be a substitute for life altogether. Yet all that remains is the apparently authentic reproduction of a physical sensation on the retina, in other words, the transmission of optical signs, of perceptions of light, via colour and paint.

The portrait is a three-quarters view of a man of about - according to Erwin Panof sky - thirty years, turned slightly to the left before an homogenously dark background. He sports a fashionable green head-dress from which a scarf hangs down onto his right shoulder. He is also wearing a red coat with a thin fur collar. His left arm is folded behind the parapet, his left hand obscured by his right, which is holding a scroll of paper.
The identity of the sitter has been the subject of considerable speculation. It would seem logical to expect the strange name which someone appears to have lettered onto the stone in Greek - “TΥMΩΘEOΣ” (Tymotheos) - to provide a clue. In fact, the name did not occur in the Netherlands before the Reformation, a discovery which led Panofsky to see it as a scholarly humanist metonym whose purpose was to link the sitter with an eminent figure in Classical antiquity. As far as Panofsky was concerned, there was only one outstanding person of that name it could have been: Tymotheos of Milet, who revolutionized Greek music during the age of Euripides and Plato.

It followed that van Eyck's sitter could only have been a musician, one equally renowned for his innovative contribution to the art. What was more, there had indeed been a radical upheaval in early fifteenth-century music, centred in Burgundy and known as "ars nova". Its leading exponents were the courtly composers Guillaume Dufay and Gilles Binchois. Since Dufay was known to have been abroad when the portrait was painted, the sitter - according to Panofsky - can only have been Binchois.
Wendy Wood's more recent, alternative explanation is based on a similar argument. Rather than the musician mentioned above, Wood traces the antique Tymotheos to a sculptor celebrated for his bas-reliefs. Seeking an analogous sculptor at the Burgundian court, she identifies "Tvmotheos" as Gilles de Blachere.


timoteo-hand
It is not clear what kind of document the man is holding in his hand.
If the sitter was a musician, the scroll may be a piece of music.
One theory suggests the paper is the plan for a sculpture.


view post Posted: 11/6/2013, 22:43     +2Jan van Scorel - Lo scolaro - ARTISTICA

Jan_van_Scorel-_Portrait_of_a_Schoolboy

Jan van Scorel - Portrait of a Schoolboy (detail)




Holbein-insegna-di-maestri-di-scuola

Hans Holbein the Younger
Schoolmaster's Signboard (1516 c.)
tempera on panel 55,5x65,5 cm.
Kunstmuseum - Öffentliche Kunstsammlung, Basel



Unlike portraits of aristocratic or courtly children, such as those painted by Agnolo Bronzino or Diego Velazquez, showing princes and princesses whose prescribed role is evidently too demanding, whose features are either doll-like or too old, and who, despite all their privileges, seem robbed of their freedom of movement, this young burgher with his red beret has such a fresh, vivacious expression on his face, such a lively desire to learn in his manner, that he seems already a fully developed, confident individual.186 Indeed, the difference between this likeness and portraits of adults, especially those of sixteenth-century humanists, is only one of degree.

The age of the boy, whose alert gaze is fixed directly on the spectator, is given by an inscription in Latin as twelve years (AETATIS XII). In his desire to work he has picked up a quill and looks as if he is about to write something down. Indeed, in his left hand is a note which is already inscribed. The writing, like a code, is laterally inverted: "Omnia dat dominus non habet ergo minus" (The Lord provides everything and yet has nothing less).

This sentence, admittedly rather precocious for a twelve-year-old, is thematically linked to the words written in Roman capitals on the painted lower section of the frame: QUIS DIVES? QUI NIL CUPIT - QUIS PAUPER? AVAR(US) (Who is rich? He who desires nothing - Who is poor? The miser).

Stoic or Cynic wisdom is expressed here in Christian biblical diction; the postulate of selflessness is probably directed against the boundless avarice of usury, a practice which the church had initially condemned, but later tended to condone. The ideas encapsulated in these quotations are similar to those of humanists like the Spanish writer Juan Luis Vives (1492-1540). It was no coincidence that Vives published his main pedagogical work "De disciplinis" (1531) in the same year as Jan van Scorel painted his School-boy.
According to Vives, children were born with a spiritual ability to withstand the base materialism of instinctual avarice; this spiritual predisposition was the "germ of all art and science". Jan van Scorel's Schoolboy was an early treatment of the theme of childhood, but one in which children were neither infantilised, nor reduced to their "natural state" - a pedagogical ideology later propagated during the age of Jean-Jacques Rousseau.



Edited by Milea - 17/8/2021, 20:02
view post Posted: 2/6/2013, 19:41     +2Teddy Bear is BREEZE's mother after foal is found abandoned - Animals

Breeze: Teddy Bear takes on role
of mummy after foal is found abandoned


Orphaned foal cuddles up to teddies as he misses his mum


article-2333745-1A1692E7000005DC-588_634x414


Newborn foals rely on their mothers to provide everything from food to motherly affection.
But after Breeze the Dartmoor Hill pony was orphaned, his cuddles have come from a 4ft teddy bear, which rescuers have given him as a surrogate mother.
One-week-old Breeze was found abandoned on Dartmoor National Park on May 24 when he was just a few hours old.

VIDEO


He had been wandering without his mother and attempting to suckle on other mares before rescuers found him collapsed from clinical shock and dehydration. Despite a search of the area for the mare that gave birth to Breeze, his mother could not be found.
Rescuers nursed Breeze back to health at the Mare and Foal Sanctuary in Devon, and he was given the cuddly toy to snuggle up to in the absence of a mother. The giant bear lives with Breeze in his stable and the young foal can be seen nestling in to its fur for comfort.


article-2333745-1A10A9D6000005DC-512_634x481


Sanctuary executive director Syra Bowden said: ‘Sadly, little Breeze hasn’t got his mum around to keep him company.
‘Although his carers here at the sanctuary work around the clock to look after him, it’s not quite the same.
‘As a result, we always give our orphaned foals a giant cuddly toy as a compa-nion. They’re just like human babies in the way it provides them with comfort.’ When Breeze arrived at the equine centre their vet spent three hours by his side and put him on a saline drip, fitted him with a catheter and gave him colostrum drips, milk and medication.


article-2333745-1A1692E0000005DC-301_634x431


Breeze now receives 24-hour care from staff at the sanctuary’s Honeysuckle Farm in Newton Abbot and is said to be making progress.
Ms Bowden said: ‘Breeze was very poorly when we first reached him and it was very much touch and go.
‘He’s now suckling well and feeding every hour. He even tried to have a little canter and buck in his stable over the weekend.
‘He’s not out of the woods yet, though. We’ll keep a very close eye on him and care for him around the clock to ensure we do everything possible to help him pull through. ‘We all have our fingers crossed that Breeze will continue to grow strong’


article-2333745-1A10ABDE000005DC-934_634x445
Source





Edited by Milea - 7/6/2013, 21:12
view post Posted: 25/5/2013, 13:39     +3Sebastian Vettel's new helmet features a pin-up girl whose clothes disappear with heat - Sport

Sebastian Vettel's new helmet features
a pin-up girl whose clothes disappear with heat





131022949-ea5aecbf-e0d5-4f4c-a0ea-e2217b8003e6




CLASS. Style. Prestige. All words you associate with Monte Carlo, but not with Sebastian Vettel's new helmet design for this weekend's Monaco Grand Prix.
Renowned for changing helmet designs as often as he changes his mind on hearing team orders, the reigning Formula 1 world champ has wheeled out a very cheeky new lid for most prestigious race on the calendar.

The cream-coloured helmet's centrepiece is a pic of a pin-up girl whose bikini - thanks to the wonders of heat-sensitive paint - disappears completely as the helmet gets hotter.
The rest of the helmet is conservative in comparison, the crown bearing a tribute to the great Stirling Moss's against-the-odds Monaco triumph in 1961.

Several other drivers have also opted to switch to special designs for the weekend, including Australia's Daniel Ricciardo, but Vettel's risque helmet is sure to attract the most attention from punters. Expect a lot of this weekend's television coverage to come from the on-board camera behind Vettel's head... Did you know that Vettel's helmet is special? When it's hot, the bikini disappears twitter.com/OfficialMinis/…


article-0-19F62AA3000005DC-803_634x441

BK8-39WCcAEXZCw.jpg-large

929473-vettel-helmet







Edited by Milea - 25/5/2013, 15:28
view post Posted: 24/5/2013, 18:02     +1Riham Said: giornalista egiziana si toglie il velo davanti all'imam - NEWS

Riham Said: "Do We Have To Go Through
This Charade Just To Have The Interview?"




5293a


Before interview begins
Riham Said: "Outside this studio, in your daily life, you deal all the time with Muslim women who do not wear the veil. Do I have to put this on just to have an interview with you?!
Puts on scarf
"Do we have to go through this charade just to have the interview?"
Yousuf Badri: "I swear to God that this is nicer and more radiant."
Riham Said: "I would have accepted it is if it was in order to make me please Allah, but, off the air, you have no problem talking to me without the hijab, and then, when the viewers can see, you make we wear it?!"
Yousuf Badri: "Maybe this hijab will stay on after the show. Who knows?"
Riham Said: "I feel like I am playacting when I put this scarf on."
Yousuf Badri: "Let's start the show."
[…]
Riham Said: "We Didn't You Pay You 1,000 Pounds So You Could Yell At Me – You Didn't Come To Answer Questions; You Came To Pick A Fight"

5293b


During interview, discussing sexual harassment by clerics performing exorcisms
Yousuf Badri: "This is a provocation. Change the subject. Talk about things that interest people, about public affairs."
Riham Said: "From the moment you sat down, you've been shouting at me and mocking me, even though we paid you 1,000 Egyptian pounds to come here.



She removes her headscarf
"Just a second, we didn't you pay you 1,000 pounds so you could yell at me. You didn't come to answer questions. You came to pick a fight."
Yousuf Badri: "Change the subject or I'm gone."
Riham Said: "Are you threatening me?"
Yousuf Badri: "Change the subject."
Yousuf Badri: "Change The Subject And Put On That Hijab!"
Riham said: "What kind of cleric demands 1,000 pounds?"
Yousuf Badri: "Change the subject."
Riham Said: "It is you who are setting conditions."
Yousuf Badri: "Change the subject and put on that hijab!"
Riham said: "I'm not going to put it on. I will wear it for God, not for you."
Yousuf Badri: "Enough. I made it a condition before the interview, and you agreed."
Riham Said: "No, I didn't."
Yousuf Badri: "Why are you taking your hijab off again? Why are you reneging on your word?"
Riham Said: "What's the point of wearing a hijab when you can see the hair underneath?"
Riham Said: "It Is Very Unfortunate That People Like This Peddle Our Religion"
Yousuf Badri: "Ranada, do you invite guests in order to give them a hard time? To embarrass them? I sued Al-Nahhar TV, as you well know. The trial is in May. It was postponed. I will shut your channel down."
Riham Said: "Why did you come here if you want to shut us down? Why did you take this channel's money? Didn't you take money for appearing here? Why did you take the money if you want to shut us down?"
Yousuf Badri: "I didn't come here to be harassed. You knew my background when you invited me."
Riham Said: "This is the kind of person who sues TV channels, attacks the media, and puts on a show for the viewers. It is very unfortunate that people like this peddle our religion. I'm the one who's leaving, not you." […]


reham-said-and-yousuf-al-badri-10







Edited by Milea - 24/5/2013, 19:19
257 replies since 5/5/2012